If you prefer, it can easily be switched off in the menus further along this setup guide. Switching between modes using the mode dial brings up a new mode dial guide which helps explain and shows the main characteristics of each mode for users new to such DSLR bodies. For now, much of our initial setup is based upon our early experience of the 6D Mark II, combined with our existing understanding of similar Canon EOS DSLR bodies like the 5D Mark III, the 5D Mark IV and the 80D. In this setup guide we share our own setup of our 6D Mark II, with the caveat that the camera is new, and we may still make some changes to the settings laid out here, as we learn the camera over time. The EOS 6D Mark II will reward the user who takes time to set up their own camera to suit their own particular style of shooting. With all these new or expanded features, comes a little added complexity. The camera has also become much more configurable, and more powerful in terms of set-up options and choices. Add to that the powerful Live View capability that comes with the swivel-tilt touch screen and Canon’s ultra-accurate Dual Pixel Auto Focus (AF). Continuous shooting speed is now up at 6.5 frames per second (fps), the buffer is reasonably deep and the autofocus now boats 45 cross-type points and is highly configurable. Some of these features mean that the new 6D Mark II becomes a much more viable camera for us as a wildlife camera.
The new camera builds on that with a higher-resolution 26 megapixel sensor, further improved in low-light image quality, and many other advances and improvements. The original 6D had an excellent full-frame sensor and was known as a strong low light performer. The 6D range is Canon’s least-expensive full-frame series. Canon’s EOS 6D Mark II is a newly-released “entry-level” full frame camera that replaces the 6D.
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